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The Age of Anxiety: A Baroque Eclogue. Auden Copyrighted Material INTRODUCTION ThePoem The Age of A nxietybeginsinfearanddoubt,butthefourprotagonists findsomecomfortinsharingtheirdistress.Ineventhisaccidental andtemporarycommunitytherearisesthepossibility ofwhat Auden once called “local understanding.” Certain anxieties may be overcomenotbythealtering ofgeopoliticalconditionsbutbythecultivation of mutual sympathy—perhaps mutual love, even among those whohoursbeforehadbeenstrangers. The Age of AnxietyisW.H. Auden’slastbook­lengthpoem,hislongest poem, and almost certainly the least­read of his major works.

(“It’sfrightfullylong,”hetoldhisfriendAlanAnsen.)Itwouldbeinterestingtoknowwhatfraction ofthosewhobeginreadingitpersist totheend. Thepoemisstrangeandoblique;itpursuesinahighly concentratedformmany of Auden’slong­termfascinations.Itsmeter imitatesmedievalalliterativeverse,which Audenhadbeendrawnto as an undergraduate when he attended J.R.R. Tolkien’s lectures in Anglo­Saxonphilology,andwhichclearlyinfluencesthepoems ofhis earlytwenties. The Age of Anxietyislargelyapsychological,orpsychohistorical,poem,andthesewerethecategoriesinwhich Audenpreferredtothinkinhisearlyadulthood(includinghisundergraduate yearsatOxford,whenheenjoyedtherole ofconfidentialamateur analystforhisfriends). Thepoemalsoembraces Auden’sinterestin,amongotherthings, thearchetypaltheories ofCarlGustavJung,Jewishmysticism,English murdermysteries,andthelinguisticandculturaldifferencesbetween EnglandandAmerica.Woventhroughitishisnearlylifelongobsessionwiththepoeticandmythological“greenworld” Audenvariously calls Arcadia or Eden or simply the Good Place. Auden’s previous longpoemhadbeencalled“ TheSeaandtheMirror:ACommentary on Shakespeare’s The Tempest,“ and Shakespeare haunts this poem.